|
Composer Profiles
Joseph
Schwantner
Born in Chicago in 1943, Joseph
Schwantner received his musical and academic training at the
Chicago Conservatory and
Northwestern University. While developing a profile as a
leading American composer, he also served
on the faculties of The Juilliard School, Eastman School of
Music and the Yale School of Music, simultaneously
establishing himself as a sought after composition
instructor.
Schwantner’s compositional career has been
marked by numerous distinctions and awards. His early
accolades include three BMI Student
Composer Awards, the Bearns Prize, a Guggenheim Foundation
Fellowship, and many other awards,
grants and fellowships. In 1979 his orchestral composition
Aftertones of Infinity won the Pulitzer
Prize. In 1985 his life and music were the focus of a
television documentary entitled Soundings, produced by
WGBH in Boston for national broadcast. That same year
his work, Magabunda “Four Poems of Agueda Pizarro,”
recorded on Nonesuch Records by the St. Louis Symphony,
was nominated for a 1985 Grammy Award in the
category “Best New Classical Composition,” and his A
Sudden Rainbow, also recorded on Nonesuch by the St. Louis
Symphony, received a 1987 Grammy nomination for “Best
Classical Composition.” Schwantner
is a member of the American Academy
of Arts and Letters.
Schwantner’s Percussion Concerto, among the
most often performed of contemporary concert works, was
commissioned for the 150th anniversary season of the
New York Philharmonic. He has also been commissioned
by numerous other leading orchestras and organizations
including the National Symphony Orchestra, Boston
Symphony Orchestra, Saint Louis Symphony Orchestra, San
Diego Symphony, Chamber Music America, Fromm Music
Foundation, Naumburg Foundation, Chamber Music Society
of Lincoln Center, Los Angeles Chamber Orchestra and
the Saint Paul Chamber Orchestra, among many others.
Schwantner has enjoyed particular success in
the orchestral world. After winning the Pulitzer Prize for
Aftertones of Infinity, Schwantner
composed New Morning for the World: Daybreak of Freedom on
words from Martin Luther King, Jr.
for narrator and orchestra, which has since entered the
standard repertory of orchestras nationwide. His
Percussion Concerto has garnered over one hundred
performances since its 1995 premiere and is one of the most
performed concert works of the past decade. His music
is noted for its deft implementation of luminous color
and fluctuating rhythms in a dramatic and unique style,
heard in such signature works as the Percussion Concerto,
New Morning for the World, and Magabunda, among others.
Schwantner’s recent work, Morning’s Embrace,
was commissioned by the National Symphony Orchestra and
premiered at the Kennedy Center in Washington, DC
on February 23, 2006. The Washington Post praised its
“delicate timbres” and “unique and original” sound. His
music has been championed by such conductors as Leonard
Slatkin, Marin Alsop, Andrew Litton, Hugh Wolff and
artists including Evelyn Glennie, Sharon Isbin and Anne
Akiko Meyers, among many others.
Joseph Schwantner’s music is published by
Schott Helicon.
Jason
Thompson
Jason
Thompson (b.1983), originally from Shepherdsville, KY, has
been involved in music since he was only three
years old. The son of a high school social studies
teacher and an illustrator, he grew up surrounded by
history and art, and this is
reflected in the historical programs that pervade much of
his music. A tubaist and graduate
of Bullitt Central High School, he was a member of
the LYO from 1998-2001, serving under the batons of Jim
Bates, Leon Kirkpatrick, and Eva Rouse. It was
through his participation in the LYO-affiliated River
Valley Brass Quintet
(1999-2001), coached by Leon Kirkpatrick, that he was
first introduced to the art of composition. He
is delighted to once again be working with the orchestra
that was so key in providing him the inspiration to
pursue his chosen career path.
Jason
holds degrees in music from Transylvania University (BA,
2005) and Ball State University (MM, 2007). His
principal instructors in
composition have included (alphabetically) Daniel Asia,
Larry Barnes, Jody Nagel, Michael
Pounds, and Eleanor Trawick. Jason is currently a
student at the University of Arizona, where he is pursuing
the DMA in composition. |